For faster navigation, this Iframe is preloading the Wikiwand page for Jew's harp. At the age of 7, Krivoshapkina received her grandmother's khomus and some lessons in playing it from her mother. Soon she was entering local singing and dancing competitions. But Krivoshapkina's love of the traditional folk songs known as toyug wasn't shared by her peers at a time when Soviet authorities were banning native languages. In 1991, the dissolution of the Soviet Union allowed people to embrace their traditional cultures. We even replaced our usual morning physical exercise with a traditional circle dance honoring the sun,” Krivoshapkina recalls. While she went to university to study music, she did not revisit the khomus until she met her mentor, Albina Degtyarova. Albina is a well-known teacher and promoter of khomus music, who guided Krivoshapkina's musical education and invited her to join Ayarkhaan, an award-winning Yakutian vocal and khomus trio.

Prime members enjoy unlimited free, fast delivery on eligible items, video streaming, ad-free music, exclusive access to deals & more. Michael Wright. Jue Harpes, Jue Trumpes, 1481.” Journal of the International Jew's Harp Society, 2004. Impressive, amazing, gorgeous music. Band is featured in TV series Vikings. Band leader was involved in extreme black metal act Gorgoroth. He was imprisoned for torturing a man and drinking his blood.
Paul Whiteman wasn't the only 1920s bandleader with Colorado connections. Isham Jones — one of Whiteman's closest rivals at the time — liked what he saw while playing at Denver's Elitch Gardens in the mid-1930s. He began purchasing land around Shaffers Crossing, where he eventually built a modern lodge. Lying in the foothills thirty-five miles southwest of Denver, the Crossing was (and, thankfully, still largely is) little more than a spot on the map.
Since their 2014 debut Trad.Attack! has released two internationally acclaimed albums, won 14 music prizes, and played in over thirty countries from Chile to Malaysia — including such festivals as WOMEX, WOMAD, Eurosonic, Transmusicales, and Mundial Montreal.
At Scoil na gCláirseach last month I presented a lecture and a workshop on the medieval Gaelic harp traditions. The lecture outlined my recent work on the setup and tuning of the medieval Gaelic harps, while the workshop later in the week explored the different strands of evidence for medieval Gaelic music.

All the evidence from archaeology found so far indicates that the jews-harp is Asian in origin. It is also known two have been in existence for at least three thousand years. The theory is that it migrated west with the Turkic movements of the 9th and 10th centuries, arriving in Europe around the 11th century. From there it was exported to the Americas and later to Africa.
This mysterious and soothing wind chime plays the ancient Greek pentatonic scale devised by Olympos, Phrygian flutist and lyre player of the seventh century B.C. Olympos is given credit for the introduction of the flute into Greece from Phrygia, thus adding a new instrumental sound to that country. It is said that Olympos was also very inventive with rhythm as well which may just qualify him as the original King of Rhythm and Blues. Because of these contributions, Plutarch, the Greek historian and biographer, named Olympos the father of Greek music. Nearly three thousand years later, the bluesy scale of Olympos, tuned in the pure system of "just intonation," is still heard today on the Japanese koto and on a Woodstock Chime.

It became obvious to me, even before the first note was played, that everyone was a fine player, musical scholar, or both. I, on the other hand was neither. Everyone else seemed to "belong" in Rauland, Norway, for the 4th International Jews Harp Congress, because they had distinguished themselves. On the other hand, I couldnt find any reason for my presence other than the fact that I had the money to get there and an absurd but wonderful interest in the Jews Harp. Here I was, perhaps enjoying the best time of my life, but totally intimidated by the talent around me and embarrassed by my puny, but improving, knowledge and skill with this challenging instrument.
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